Werk - 117

Reiken IV (Babylon)

Renovation of a multi-family house where the garden is given equal footing with the people.

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It has served its purpose, but now it’s time. Once a family home, the house was later split up into eight student units. The building wears the traces of this transformation. Beyond its general ageing, the plot is almost entirely built over and fully paved.

So we unbuild. We remove mass, and living units. Front and back rooms are reconnected. What were once dull and separate spaces become sunlit, through-living studios. One per floor. Beyond the historical rear façade, the plot is left untouched. A compact urban garden now softens not only the site itself, but breathes into the wider block around it. The garden multiplies, not just across the ground but upward too. The rear façade becomes a layered cake: horizontal slices stretch from one party wall to the other. Some slide forward out of the plane of the wall. There, they become shading devices, balconies, suspended gardens. A butterfly flutters toward the open window, hesitates, then veers back to the flowers. The grass is still damp from the rain. You can smell it.

Werk - 117
117 SSG SOII 20211111 photoshop kopiëren ALT 2
Each window holds two parts: a garden and a terrace. Not everything has to be grounded. You can stack these spaces, suspending them somewhere between blade of grass and roof ridge.
117 SSG VO AG
In a historic home, the composition of windows is often dictated by the staircase. The façade splits in two: a rear room, and next to it, the stairwell. At every landing, a window appears on the rear façade, offset from the others. You can make a theme of showing this... or hiding it. The cake-like stack of studios calls out for horizontal articulation. The small window is absorbed into the horizontal band already formed by the larger window and its balcony.
117 SSG VO VG
The front façade gets bands, too. A tall plinth, able to withstand the bustle of the street. A round window in the front door: just high enough so you don’t slam it into your housemate’s face when coming home. Big windows above, thick in profile; sometimes thick on the inside, sometimes on the outside. And more floating gardens, again.

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